African screenwriters Mlilo Mpondo, Talemwa Pius, and Tony Koros are set to pitch their projects at Series Mania in France.

The New Black Film Collective XPO 2025 kicks off in London, featuring Warner Bros, BFI, and industry experts as speakers.

Nigerian filmmaker Chris Ihidero blames NTA’s lack of investment in quality content for Nollywood’s slowed growth.

African screenwriters Mlilo Mpondo, Talemwa Pius, and Tony Koros are set to pitch their projects at Series Mania in France.

The New Black Film Collective XPO 2025 kicks off in London, featuring Warner Bros, BFI, and industry experts as speakers.

Nigerian filmmaker Chris Ihidero blames NTA’s lack of investment in quality content for Nollywood’s slowed growth.

African screenwriters Mlilo Mpondo, Talemwa Pius, and Tony Koros are set to pitch their projects at Series Mania in France.

The New Black Film Collective XPO 2025 kicks off in London, featuring Warner Bros, BFI, and industry experts as speakers.

Nigerian filmmaker Chris Ihidero blames NTA’s lack of investment in quality content for Nollywood’s slowed growth.

African screenwriters Mlilo Mpondo, Talemwa Pius, and Tony Koros are set to pitch their projects at Series Mania in France.

The New Black Film Collective XPO 2025 kicks off in London, featuring Warner Bros, BFI, and industry experts as speakers.

Nigerian filmmaker Chris Ihidero blames NTA’s lack of investment in quality content for Nollywood’s slowed growth.

African screenwriters Mlilo Mpondo, Talemwa Pius, and Tony Koros are set to pitch their projects at Series Mania in France.

The New Black Film Collective XPO 2025 kicks off in London, featuring Warner Bros, BFI, and industry experts as speakers.

Nigerian filmmaker Chris Ihidero blames NTA’s lack of investment in quality content for Nollywood’s slowed growth.

What “Love In Every Word”, produced by Omoni Oboli and …

Tems won the Best African Music Performance category at the …

Ghana hosted the Africa Cinema Summit in 2024 but the only news item that filtered …

Are films characterised as Nollywood’s Yoruba epics only to be critiqued by reviewers from or …

Our reporter was at the 20th anniversary of the Africa Movie Academy Awards. He has …

The inclusion of a screenwriter’s name in all publicity where other crew members are listed …

What “Love In Every Word”, produced by Omoni Oboli and starring Uzor Arukwe and BamBam, says about success in Nollywood

Tems won the Best African Music Performance category at the 2025 Grammys for “Love Me JeJe”. Why has Nollywood never received Oscar attention?

Ghana hosted the Africa Cinema Summit in 2024 but the only news item that filtered out was that an actor wants to move to Africa.

Are films characterised as Nollywood’s Yoruba epics only to be critiqued by reviewers from or intimately familiar with Yoruba culture?

Our reporter was at the 20th anniversary of the Africa Movie Academy Awards. He has produced a list of the AMAA 2024 highs and lows.

The inclusion of a screenwriter’s name in all publicity where other crew members are listed is a ridiculously modest demand for Nollywood.

The Tuiskoms pilot tells an unoriginal story—but is saved by the capability of its cast …

Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent …

Parts of Happiness Is are fun to watch, but, overall, this Netflix South Africa project …

Hijack ’93 starts off with some intrigue but progresses into yet another disappointment from Play …

A Night in Nollywood gets its performances right but it still succumbs to the usual …

Inside Life, Clarence Peters’ first major work outside music videos, starts well and then completely …

Jack’enneth Opukeme and Adebayo Tijani’s Farmer’s Bride tells a familiar love story with immense verve.

Obi Emelonye’s film, Black Mail, would be an amazing ride, if it didn’t demand too …

The Tuiskoms pilot tells an unoriginal story—but is saved by the capability of its cast and the technical competence of its crew.

Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent and a forecast of his success.

Parts of Happiness Is are fun to watch, but, overall, this Netflix South Africa project feels like it was more fun to make.

Hijack ’93 starts off with some intrigue but progresses into yet another disappointment from Play Network.

A Night in Nollywood gets its performances right but it still succumbs to the usual Nollywood flaws. Efiko Score: 6.1/10.

Inside Life, Clarence Peters’ first major work outside music videos, starts well and then completely loses its way.

Jack’enneth Opukeme and Adebayo Tijani’s Farmer’s Bride tells a familiar love story with immense verve.

Obi Emelonye’s film, Black Mail, would be an amazing ride, if it didn’t demand too much of our suspension of disbelief.

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The Art and Business of Nigerian/African Screen Entertainment