Reviews

With vapid sex scenes and generic power plays, Akay Mason’s Red Circle proves more underwhelming than groundbreaking.

Taiwo Egunjobi’s The Fire and the Moth shows that a unique vision in Nollywood isn’t a death sentence.

Yemi “Filmboy” Morafa’s anticipated thriller scores high in many departments but falls short in the central one.

Saved by its supporting characters, Maurice Muendo’s Showmax Original wobbles towards a moralising end. Efiko Score: 5.5/10

With Christmas In Lagos, Jade Osiberu, a major Nollywood talent, has made a minor Nollywood film.

With “A Ghetto Love Story”, producer Basketmouth and director Daniel Oriahi have made a superb Nollywood film about Nigerian love and poverty.

The identity of the killer in Mercy Aigbe’s second production is too obvious for the film to be a decent whodunit.

Funke Akindele’s latest billion naira-earner feels like a collection of skits for YouTube consumption.

The Tuiskoms pilot tells an unoriginal story—but is saved by the capability of its cast and the technical competence of its crew.

Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent and a forecast of his success.