The Sundance award-winner speaks about his life from Abidjan to Accra to Montreal.
Nigeria has secured back-to-back representation at Cannes for the first time in its history.
Sudan, Morocco, and NIgeria are heading to Cannes’ Directors’ Fortnight
Three African filmmakers will screen projects at Cannes 2026 Un Certain Regard section.
The internet has upended a major revenue outlet for Nollywood …
A Nigerian TV professional interrogates online clips of the popular …
Award-winning Rwandan director Mutiganda Wa Nkunda urges African cinema financiers to reconsider chasing trends.
At a recent party in Lagos, Nollywood’s pioneering generation gathered to celebrate the birthday and …
Landline, the latest time-loop tale from Nollywood, is another exercise in the tradition’s storytelling problem.
The 2025 AMVCA nominations had nominees to cheer for, some to wonder about, and one …
Rwandan director writes about his country’s growing film industry and what it needs to get …
First and foremost: FESPACO cannot remain an exclusively French-speaking festival. It simply cannot be that …
The internet has upended a major revenue outlet for Nollywood celebrities.
A Nigerian TV professional interrogates online clips of the popular UK show
At a recent party in Lagos, Nollywood’s pioneering generation gathered to celebrate the birthday and published memoirs of one of their own.
The 2025 AMVCA nominations had nominees to cheer for, some to wonder about, and one to leave you torn between cheer and despair.
Rwandan director writes about his country’s growing film industry and what it needs to get even better.
First and foremost: FESPACO cannot remain an exclusively French-speaking festival. It simply cannot be that in 2025 and in the future.
A quite remarkable premise is shortchanged with subpar execution in Africa Magic’s Split, a series …
Although plagued with a problem seen in her movies, Bolanle Austen-Peters’ “Fela and the Kalakuta …
Telling a coherent story is a low bar Toyin Abraham has finally managed to clear …
The high production values of HBO’s Wizkid: Long Live Lagos documentary can’t save a popstar …
In Nome, Sana Na N’Hada’s life and times of his eponymous hero is carried along …
Le Rêve de Dieu is hampered by clumsiness across acting, dialogue, and plotting.
Ancestral Visions of the Future marries prose to poetic visuals in frustrating and interesting ways.
Iyanu is a solid international debut for Nigerian animation, but the Cartoon Network show flattens …
A quite remarkable premise is shortchanged with subpar execution in Africa Magic’s Split, a series about corporate theft gone wrong.
Although plagued with a problem seen in her movies, Bolanle Austen-Peters’ “Fela and the Kalakuta Queens” is saved by spectacle.
Telling a coherent story is a low bar Toyin Abraham has finally managed to clear with Oversabi Aunty.
The high production values of HBO’s Wizkid: Long Live Lagos documentary can’t save a popstar with nothing to say.
In Nome, Sana Na N’Hada’s life and times of his eponymous hero is carried along by the magnificent performance of Marcelino Antonio Ingira.
Iyanu is a solid international debut for Nigerian animation, but the Cartoon Network show flattens the distinctiveness of Nigerian culture.
