Oris Aigbokhaevbolo

Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent and a forecast of his success.

Four short commentaries on African documentary filmmaking as gathered from IDFA, the prestigious documentary festival in the Netherlands.

The AFRIFF party can be hard to get into, even for filmmakers. And that’s the point. Kind of.

Our reporter was at the 20th anniversary of the Africa Movie Academy Awards. He has produced a list of the AMAA 2024 highs and lows.

Producer Doreen Kilimbe shares notes on her debut film’s win at ZIFF 2024 and the challenges of making films in Tanzania.

With Freedom Way at TIFF, Afolabi Olalekan joins a tiny group of Nigerian directors with features accepted by a major international film festival.

20 years after he found fame as a musician, DBanj remains as energetic as he ever was.

Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.

Politics and family drama prove more thrilling than the readily spectacular dance of dragons in the HBO show’s second season.