Oris Aigbokhaevbolo

A quite remarkable premise is shortchanged with subpar execution in Africa Magic’s Split, a series about corporate theft gone wrong.

Although plagued with a problem seen in her movies, Bolanle Austen-Peters’ “Fela and the Kalakuta Queens” is saved by spectacle.

Telling a coherent story is a low bar Toyin Abraham has finally managed to clear with Oversabi Aunty.

The high production values of HBO’s Wizkid: Long Live Lagos documentary can’t save a popstar with nothing to say.

Sudanese director Yasir Faiz discusses the making of Bougainvillea, his short film which screened as part of Locarno’s Open Doors 2025.

In Nome, Sana Na N’Hada’s life and times of his eponymous hero is carried along by the magnificent performance of Marcelino Antonio Ingira.

Le Rêve de Dieu is hampered by clumsiness across acting, dialogue, and plotting.

Nigerian producer Blessing Uzzi talks about meeting director Dika Ofoma and their 2025 Locarno Open Doors project, Kachifo.

Ancestral Visions of the Future marries prose to poetic visuals in frustrating and interesting ways.

Pilot episode of Kemi Adetiba’s over-soundtracked To Kill A Monkey is bloated but saved by Bucci Franklin’s charisma.