Funke Akindele’s latest billion naira-earner feels like a collection of skits for YouTube consumption.
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Orwa Nyrabia, outgoing artistic director at IDFA, speaks about African documentaries at the festival and on the Israel/Palestine controversy.
What “Love In Every Word”, produced by Omoni Oboli and starring Uzor Arukwe and BamBam, says about success in Nollywood
The Tuiskoms pilot tells an unoriginal story—but is saved by the capability of its cast and the technical competence of its crew.
Our critic analyses the reasons Africa and its filmmakers had a less than stellar experience at the Oscars 2025 ceremony and season.
Tems won the Best African Music Performance category at the 2025 Grammys for “Love Me JeJe”. Why has Nollywood never received Oscar attention?
Ghana hosted the Africa Cinema Summit in 2024 but the only news item that filtered out was that an actor wants to move to Africa.
Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent and a forecast of his success.
Four short commentaries on African documentary filmmaking as gathered from IDFA, the prestigious documentary festival in the Netherlands.
The AFRIFF party can be hard to get into, even for filmmakers. And that’s the point. Kind of.
