With Freedom Way at TIFF, Afolabi Olalekan joins a tiny group of Nigerian directors with features accepted by a major international film festival.
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20 years after he found fame as a musician, DBanj remains as energetic as he ever was.
Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.
Politics and family drama prove more thrilling than the readily spectacular dance of dragons in the HBO show’s second season.
