African filmmaking is the next target of Open Doors, a programme hosted by the Locarno Film Festival since 2003.
Cinema
This Nigerian experiment at telling a time-travel tale is a misfire.
With ornate schemes and smart, sometimes unclear, plot twists, Niyi Akinmolayan makes a film that lives up to its name.
A lack of finesse (and finance) hinders the ambition of Tade Ogidan’s “Prison Break” movie.
The show utilizes negative tropes of reality TV as a vehicle to drive its subplots, while making perfunctory gestures towards genuine vulnerability.