Uche Jombo’s sports drama, Onye Egwu, is a sometimes-funny project defeated by its own lack of originality.
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Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.
This biographical account plays too nice and never rises to the full height and daring of its great subject.
Hamisha Daryani Ahuja’s follow-up to Namaste Wahala is a six-episode series that fails to reward its viewer’s investment.
The inclusion of a screenwriter’s name in all publicity where other crew members are listed is a ridiculously modest demand for Nollywood.