Reviews

In Nome, Sana Na N’Hada’s life and times of his eponymous hero is carried along by the magnificent performance of Marcelino Antonio Ingira.

Le Rêve de Dieu is hampered by clumsiness across acting, dialogue, and plotting.

Ancestral Visions of the Future marries prose to poetic visuals in frustrating and interesting ways.

Iyanu is a solid international debut for Nigerian animation, but the Cartoon Network show flattens the distinctiveness of Nigerian culture.

Ms. Kanyin is a relatively decent supernatural thriller. But Nollywood’s search for a great Lady Koi-Koi continues.

With vapid sex scenes and generic power plays, Akay Mason’s Red Circle proves more underwhelming than groundbreaking.

Taiwo Egunjobi’s The Fire and the Moth shows that a unique vision in Nollywood isn’t a death sentence.

Yemi “Filmboy” Morafa’s anticipated thriller scores high in many departments but falls short in the central one.

Saved by its supporting characters, Maurice Muendo’s Showmax Original wobbles towards a moralising end. Efiko Score: 5.5/10

With Christmas In Lagos, Jade Osiberu, a major Nollywood talent, has made a minor Nollywood film.