A quite remarkable premise is shortchanged with subpar execution in Africa Magic’s Split, a series about corporate theft gone wrong.
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Fela & The Kalakuta Queens Review: Weak Writing Masked by Sex, Song, and Wonderful Stagecraft
Although plagued with a problem seen in her movies, Bolanle Austen-Peters’ “Fela and the Kalakuta Queens” is saved by spectacle.
Telling a coherent story is a low bar Toyin Abraham has finally managed to clear with Oversabi Aunty.
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Wizkid: Long Live Lagos Review: Boring Popstar Is Weakest Part Of Sleek HBO Documentary
The high production values of HBO’s Wizkid: Long Live Lagos documentary can’t save a popstar with nothing to say.
In Nome, Sana Na N’Hada’s life and times of his eponymous hero is carried along by the magnificent performance of Marcelino Antonio Ingira.
Le Rêve de Dieu is hampered by clumsiness across acting, dialogue, and plotting.
Ancestral Visions of the Future marries prose to poetic visuals in frustrating and interesting ways.
Iyanu is a solid international debut for Nigerian animation, but the Cartoon Network show flattens the distinctiveness of Nigerian culture.
Ms. Kanyin is a relatively decent supernatural thriller. But Nollywood’s search for a great Lady Koi-Koi continues.
With vapid sex scenes and generic power plays, Akay Mason’s Red Circle proves more underwhelming than groundbreaking.