Reviews

Dolapo Adigun’s Criminal casts judgment on its characters from the start, marring everything that follows.

Uche Jombo’s sports drama, Onye Egwu, is a sometimes-funny project defeated by its own lack of originality.

Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.

This biographical account plays too nice and never rises to the full height and daring of its great subject.

Hamisha Daryani Ahuja’s follow-up to Namaste Wahala is a six-episode series that fails to reward its viewer’s investment.

Norman Maake’s film is based on an unoriginal concept that its committed acting talents can’t quite improve.

Domestic violence meets coming-of-age tale in Courage Obayuwana’s moving debut feature.

Politics and family drama prove more thrilling than the readily spectacular dance of dragons in the HBO show’s second season.

Nollywood’s young actors and actresses lend this Netflix show its main appeal.

Beyond anything else, For Maria Ebun Pataki gets points for tackling a rarely discussed subject.