Reviews

The identity of the killer in Mercy Aigbe’s second production is too obvious for the film to be a decent whodunit.

Funke Akindele’s latest billion naira-earner feels like a collection of skits for YouTube consumption.

The Tuiskoms pilot tells an unoriginal story—but is saved by the capability of its cast and the technical competence of its crew.

Almost a decade after its original release, O-Town remains an advertisement for CJ Obasi’s talent and a forecast of his success.

Parts of Happiness Is are fun to watch, but, overall, this Netflix South Africa project feels like it was more fun to make.

Hijack ’93 starts off with some intrigue but progresses into yet another disappointment from Play Network.

A Night in Nollywood gets its performances right but it still succumbs to the usual Nollywood flaws. Efiko Score: 6.1/10.

Inside Life, Clarence Peters’ first major work outside music videos, starts well and then completely loses its way.

Jack’enneth Opukeme and Adebayo Tijani’s Farmer’s Bride tells a familiar love story with immense verve.

Obi Emelonye’s film, Black Mail, would be an amazing ride, if it didn’t demand too much of our suspension of disbelief.