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Pilot episode of Kemi Adetiba’s over-soundtracked To Kill A Monkey is bloated but saved by Bucci Franklin’s charisma.

Iyanu is a solid international debut for Nigerian animation, but the Cartoon Network show flattens the distinctiveness of Nigerian culture.

Ms. Kanyin is a relatively decent supernatural thriller. But Nollywood’s search for a great Lady Koi-Koi continues.

Taiwo Egunjobi’s The Fire and the Moth shows that a unique vision in Nollywood isn’t a death sentence.

Yemi “Filmboy” Morafa’s anticipated thriller scores high in many departments but falls short in the central one.

Saved by its supporting characters, Maurice Muendo’s Showmax Original wobbles towards a moralising end. Efiko Score: 5.5/10

Landline, the latest time-loop tale from Nollywood, is another exercise in the tradition’s storytelling problem.

Shaibu Husseini, head of the NFVCB, says the American streaming giant has only scaled down its operations in the West African country.

These 5 film editors shone the brightest in Nollywood in 2024.

The 2025 AMVCA nominations had nominees to cheer for, some to wonder about, and one to leave you torn between cheer and despair.