Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.
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This biographical account plays too nice and never rises to the full height and daring of its great subject.
Hamisha Daryani Ahuja’s follow-up to Namaste Wahala is a six-episode series that fails to reward its viewer’s investment.
Norman Maake’s film is based on an unoriginal concept that its committed acting talents can’t quite improve.
Domestic violence meets coming-of-age tale in Courage Obayuwana’s moving debut feature.
Nollywood’s young actors and actresses lend this Netflix show its main appeal.
Beyond anything else, For Maria Ebun Pataki gets points for tackling a rarely discussed subject.
The Play Network remake fails to hit any of its old predecessor’s high points.
This Nigerian experiment at telling a time-travel tale is a misfire.