Damilola Orimogunje has criticised the state of Q&As in Nollywood.
Nollywood
Dolapo Adigun’s Criminal casts judgment on its characters from the start, marring everything that follows.
Since news of her passing, tributes to Onyeka Onwenu have poured in from prominent Nigerians.
Uche Jombo’s sports drama, Onye Egwu, is a sometimes-funny project defeated by its own lack of originality.
Latest Yoruba epic is flawed: its cinematography is mostly banal, its editing is frequently basic, and its direction slack.
Hamisha Daryani Ahuja’s follow-up to Namaste Wahala is a six-episode series that fails to reward its viewer’s investment.
The inclusion of a screenwriter’s name in all publicity where other crew members are listed is a ridiculously modest demand for Nollywood.
Domestic violence meets coming-of-age tale in Courage Obayuwana’s moving debut feature.