Nollywood

A quite remarkable premise is shortchanged with subpar execution in Africa Magic’s Split, a series about corporate theft gone wrong.

Telling a coherent story is a low bar Toyin Abraham has finally managed to clear with Oversabi Aunty.

Pilot episode of Kemi Adetiba’s over-soundtracked To Kill A Monkey is bloated but saved by Bucci Franklin’s charisma.

Ms. Kanyin is a relatively decent supernatural thriller. But Nollywood’s search for a great Lady Koi-Koi continues.

Obinna Okerekeocha talks about the Naija AI Film Festival, and he discussed the vision behind the initiative in an interview with FilmEfiko.

At a recent party in Lagos, Nollywood’s pioneering generation gathered to celebrate the birthday and published memoirs of one of their own.

With vapid sex scenes and generic power plays, Akay Mason’s Red Circle proves more underwhelming than groundbreaking.

Yemi “Filmboy” Morafa’s anticipated thriller scores high in many departments but falls short in the central one.

Landline, the latest time-loop tale from Nollywood, is another exercise in the tradition’s storytelling problem.

Minister Hannatu Musa Musawa outlined her plans for Nigeria’s creative economy.